Nick Blais designs across Canada in all manner of discipline and venue from Toronto's Royal Alexandra Theatre, to the base of the Calgary Tower. As Head of Design for Outside the March Nick devotes his design efforts to bringing emotive and transformative visuals to life through the never-ending experimentation and exploration of creative risk.
Winner of the 2018 Dora Mavor Moore Award for his Set Design of JERUSALEM (Outside the March). Featured in the Professional Lighting and Production Magazine for his innovation in "off-the-grid" lighting design for MR. BURNS and site specific scenography (BRANTWOOD, TERMINUS, MOMENT). Nominations in both Set and Lighting Design at the 2017 Dora Awards for POMONA (ARC). Recipient of Toronto Theatre Critics award for Best Design in 2018 for JERUSALEM, 2015 for MR. BURNS and TERMINUS in 2013 (Outside the March). 2014 My Theatre Award Toronto recipient: Best Design for NEW JERUSALEM (Harold Green Jewish Theatre). Various other awards and nominations in Edmonton, Calgary, and Toronto.
Select credits include: The Flick, Tape Escape, Dr. Silver, Jerusalem, TomorrowLove, Terminus, Mr. Burns (Outside the March); Marjorie Prime, Hand to God, Aliens (Coal Mine Theatre); Oil, Human Animals, Dissidents, Pomona, Moment (Actors Repertory Company); Glass Menagerie (Grand Theatre); Vespers: an original ballet by James Kudelka (Royal Winnipeg Ballet); A Midsummer Night's Dream (Shakespeare in the Ruff); West Side Story (Citadel Theatre); Brantwood (Theatre Sheridan); Domesticated (Company Theatre ); Much Ado About Nothing, All Shook Up (Globe Theatre); Madama Butterfly, Magic Flute (Saskatoon Opera); Prince of Homburg, I Claudia (Talk is Free Theatre); Don Giovanni, L'Elisir D'Amore, Alcina (Opera Nuova); The Laws of Thermodynamics (Theatre YES).
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